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DTSTART;TZID=Asia/Kolkata:20230520T110000
DTEND;TZID=Asia/Kolkata:20230529T190000
DTSTAMP:20260404T023503
CREATED:20230512T062851Z
LAST-MODIFIED:20230614T054015Z
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SUMMARY:SADIYAAN - an Exhibit of Indian Traditional and Folk Art
DESCRIPTION:Gallery Time & Space and ArtenBlu \npresents \nSADIYAAN\nIndia is home to more than 50 types of traditional forms of paintings\, once thriving and prosperous\, is now facing extinction. Several of these art forms are dying due to complexity of the work\, time consuming techniques and lack of proper channels to consistently support and promote the art and the artists. \nAs an ongoing effort to create awareness and provide a platform to showcase these indigenous art forms to art patrons\, Gallery Time & Space in collaboration with ArtenBlu presents Sadiyaan\, meaning centuries. One can witness centuries of culture and labour in this show through featured folk arts like Pichwai\, Pattachitra\, Gond\, Mysore Traditional Art and Kalighat. The show presents old craft forms with a contemporary twist like Pichwai in its unique form and exquisite colours like teals and pastels. \n  \nSome of the folk-art forms and artists featured at the show: \nPichwai\nThe word Pichwai comes from ‘pichh‘ meaning back\, and ‘wai‘\, meaning textile hanging. They are made by members of the Pushti Marg sect\, founded by Shri Vallabhacharya in the 16th Century \nPichwai (pichvai) is a style of painting that originated over 400 years ago\, in the town of Nathdwara near Udaipur in Rajasthan\, India. Intricate and visually stunning\, pichwai paintings\, made on cloth\, depict tales from Lord Krishna’s life. Lord Krishna is often depicted as Shrinathji in Pichwais\, which is the deity manifest as a seven-year-old child. Other common subjects are Radha\, Gopis\, Cows and Lotuses. Festivals and celebrations such as Sharad Purnima\, Raas Leela\, Annakoot or Govardhan Puja\, Janmashtami\, Gopashtami\, Nand Mahotsav\, Diwali and Holi are frequently depicted in Pichwais. \nPichwai Artists include: \nA team of 3  viz. Father – Sharad Soni and sons Kuldeepak and Naveen Soni\, are Practising Artists from a family of traditional artists in Bhilwara\, Rajasthan. Kuldeepak Soni is a third generation Artist. Trained by his grandfather Shilp Guru Shri Badrilal Chitrakaar\, a renowned National Awardee. Kuldeepak was recently invited to participate in the launch of the Nita Mukesh Ambani Cultural Centre (NMACC) in Mumbai\, 2023. \n  \nAbhishek Joshi – Pichwai and Phad paintings with a vibrant depiction of the Indian tribal scene\, are his forte. His subjects incluce Pabuji and Devnarayan. He has done contemporary series on Save Girl Child\, Abhigyan Shakuntlam\, based on the play written by great poet Kalidas\, ‘Haldi Ghat’\, the battle between Maharana Pratap and Akbar and on the song Sare Jahan se achha…. Hindosta hamara\, to name a few. \n  \nSushil Soni – Graduated with a Bachelor’s degree in Drawing and Painting from Nathdwara College\, Rajasthan\, tutored in  miniature paintings by Ghanshyam ji Nimbark and introduced intricacies of miniature into folk Pichwai paintings. His work has also been regarded in high esteem by the Government of Rajasthan for keeping alive the long-established style. \n  \nGond Art\nPaintings from folk and tribal art that is practiced by one of the largest tribes in India\, THE GOND TRIBE. Gond comes from the Dravidian expression\, Gond which means ‘the green mountain’. \nChoti Tekam – a well-established Gond artist from the Mandala district in Madhya Pradesh.  Artist Ram Singh Urveti initiated her into the contemporary Gond genre. Her subjects include Flora and Fauna\, her imaginative and unique take on it characterises a vivid style. The artist currently works at the National Museum of Mankind\, Bhopal. \n  \n  \nPattachitra\nA general term for traditional\, cloth-based scroll painting\, based in the eastern Indian states of Odisha and West Bengal. The name Pattachitra has evolved from the Sanskrit words patta\, meaning canvas\, and chitra\, meaning picture. Pattachitra is thus a painting done on canvas\, and manifested by rich colourful application\, creative motifs\, and designs\, with simple themes\, mostly mythological. \nAkashaya Kumar Barkiri –  A native of Odisha\, and palm-leaf Artist\, Barkiri’s ritualistic works are depictions of time-honoured culture of The Eastern Indian state on the Bay of Bengal\, known for its tribal culture and ancient Hindu temples. He imparted his knowledge across highly recognized art institutes like National Science Centre\, New Delhi\, Crafts Museum\, Pragati Maidan\, New Delhi & SPEC MEC. He has also received National Merit Award\, Gold Medal 2017 from Prafulla Dhankar Art Foundation\, Mumbai & UNESCO Award 2014. \n  \nKalighat Paintings\nKalighat paintings originated in the 19th century West Bengal\, India\, in the vicinity of Kalighat Kali Temple\, Kalighat\, Calcutta\, India. It was initially given as souvenirs to the visitors of the Kali temple\, the paintings over a period of time developed as a distinct school of Indian painting\, subjects include Hindu gods and other mythological characters. \n Rup Sona and Sumana \nThe couple is based in a remote village close to Calcutta. From a young age Rup Sona was tutored by her grandmother and father and first exhibited at the age of 12. Colors are extracted naturally\, yellow from turmeric\, blue from flowers\, black by burning rice and powdering it and red from a pan. The couple has strived hard and travelled to a lot of places like Delhi\, Pune\, Chennai and Denmark to participate in exhibitions and spread awareness on Kalighat painting. \n  \nTanjore Paintings\nThe dense composition\, surface richness and vibrant colors of Indian Thanjavur or Tanjore Paintings.with embellishments of semi-precious stones\, pearls and glass pieces further add to their distinct appeal. The relief work gives them a three dimensional effect. \nPraveen Kumar \nTrained at Chitrakala Parishat\, Bangalore\, artist Praveen Kumar has been painting for more than 22 years. He has painted more than three thousand Tanjore paintings. He is also proficient in Mysore style of Painting. \n  \n  \nMysore Paintings\nA  form of classical South Indian painting that evolved in the Mysore city of Karnataka\, patronaged by Wodeyars. Mysore paintings are often mistaken for Tanjore paintings. However\, Mysore paintings have finer brush work & more delicate colours\, while Tanjore paintings have a rougher\, more bold style with broader brush strokes. They are known for their gold leaf paint and often depict Hindu gods\, goddesses or scenes from mythology. Gesso paste made with zinc oxide and Arabic gum is used in low relief\, helps to bring out details. \n Josheela S V \nJosheela S V from Karnataka\, India\, specializes in miniature artworks of gods and goddesses where she beautifully captures the facial expressions. She received her training in Mysore Traditional Painting at Chitrakala Parishath\, taught by senior artist Sri B B Raghavendra. She has been a 3 time winner at the Mysore Dasara Exhibition\, Lalitha Kala Section.
URL:https://timeandspace.gallery/event/sadiyaan-an-exhibit-of-indian-traditional-and-folk-art/
LOCATION:Gallery Time and Space\, 2nd Floor\, The Guild\, 55\, Lavelle Road\, Bangalore\, karnataka\, 560001\, India
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20230409T110000
DTEND;TZID=Asia/Kolkata:20230416T190000
DTSTAMP:20260404T023503
CREATED:20230408T094212Z
LAST-MODIFIED:20230512T062811Z
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SUMMARY:Walking Wings | Preksha Tater
DESCRIPTION:‘Walking Wings’ is a collective yet fluid reflection of little episodes\, intimate encounters between characters and figures\, between line and color\, between the figurative and the abstract from her everyday life. Walking is suggestive of gradual movement in a pace and capacity chosen by oneself\, it’s the sheer resilience in the spirit of infinite possibilities. The interwoven narrative between the works is not linear or progressive\, rather they accumulate into an abundance of delicate moments and a complex spectrum of emotions. Although each work is in itself subtle and refined\, the juxtaposition of the varied scenes create a profound exploration of human emotions. \nThis exhibition gives a peek into Tater’s practice of the last 7 years that include drawings on paper and sculptures. \nPreksha Tater (b.1981) graduated from M.S. University\, Vadodara in MFA and BFA\, Painting\, in the year 2005 and 2007 respectively. In 2009 she did her first solo show called Small Wonders at Strand Art Room\, Mumbai. In the same year she received the Inlaks Fine Arts award and was also selected to be part of FICA annual group show at Vadehra Art Gallery. She received the Nasreen Mohamedi Award in the year 2007. She has participated in numerous national and international residencies and exhibitions in Delhi\, Baroda\, Mumbai\, Egypt\, Korea\, London etc. From 2014 until 2022 she was a lecturer at the V.N.S.G.U. Faculty of Fine Arts\, Surat\, Gujarat. \n 
URL:https://timeandspace.gallery/event/walking-wings-preksha-tater-2/
LOCATION:Gallery Time and Space\, 2nd Floor\, The Guild\, 55\, Lavelle Road\, Bangalore\, karnataka\, 560001\, India
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ORGANIZER;CN="Gallery Time and Space":MAILTO:team@timeandspace.gallery
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DTSTART;TZID=Asia/Kolkata:20230325T110000
DTEND;TZID=Asia/Kolkata:20230404T183000
DTSTAMP:20260404T023503
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LAST-MODIFIED:20230512T062815Z
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SUMMARY:Nahi Manzoor | Soura Chatterjee
DESCRIPTION:“The pandemic was a catalyst to look at oneself and the fragile existence of our reality. It was a time for a pause for everyone\, the space was limited and transient but one continued to create and live amidst the fear of uncertainty. The only way to survive in this uncertain situation was to be alive and exercise the will to live and create. The artist Soura Chatterjee becomes a witness\, voyeur\, and director who constructs another reality that highlights life through his works. These were multiple situations from a political protest\, to a surreal encounter of a crocodile slipping into the urban landscape\, a tiger lingers into a dream\, fear is in the air but so is love. \nThe artist was a witness to social shifts of reality around himself\, he was a volunteer in a hospital and a caregiver. He carefully constructed a setting to narrate poignant moments from a juxtaposition of characters that played roles in multiple realities. This was viewed as a multi-dimensional theatre set where the characters also included animals and reptiles that add a touch of the surreal in the domestic context amidst the ‘still lifes” of the everyday. \nThe result was a set of works that unpack a series of vignettes that are from his lived reality and from different lives and moments of others. He has captured moments of intimacy to violence\, enacted by the characters the artist represents. The real became an expressionistic theatrical set that referred to the multiple layers of a stage infused with drama. The stage was set and the mise en scene was constructed by a play with dramatic lights that are filtered in planes and become part of the artist’s intent. This is the artists’ representation of a theatre of life\, the constructed planes\, and urban architectural setups were curated like a set designer. The artist became a director who represents the emotions of life seen in isolation or through windows and doorways. Through the lens of the fragility of the human body and the uncertain pandemic\, he asserts life despite all odds. Hope is eternal\, and it endures. Life goes on.” \nSuresh Jayaram
URL:https://timeandspace.gallery/event/nahi-manzoor-soura-chatterjee/
LOCATION:Gallery Time and Space\, 2nd Floor\, The Guild\, 55\, Lavelle Road\, Bangalore\, karnataka\, 560001\, India
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ORGANIZER;CN="Gallery Time and Space":MAILTO:team@timeandspace.gallery
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DTSTART;TZID=Asia/Kolkata:20230128T110000
DTEND;TZID=Asia/Kolkata:20230203T190000
DTSTAMP:20260404T023503
CREATED:20230123T005457Z
LAST-MODIFIED:20230123T005732Z
UID:4603-1674903600-1675450800@timeandspace.gallery
SUMMARY:Life Around Us | Nisreen Moochhala
DESCRIPTION:An exhibition of paintings celebrating things ordinary course overlooking the ordinary.
URL:https://timeandspace.gallery/event/life-around-us-nisreen-moochhala/
LOCATION:Gallery Time and Space\, 2nd Floor\, The Guild\, 55\, Lavelle Road\, Bangalore\, karnataka\, 560001\, India
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20221118T110000
DTEND;TZID=Asia/Kolkata:20221210T190000
DTSTAMP:20260404T023503
CREATED:20230301T064302Z
LAST-MODIFIED:20230301T064939Z
UID:4848-1668769200-1670698800@timeandspace.gallery
SUMMARY:It's a way of Life: A father-daughter duo.
DESCRIPTION:Preview: \n18 November 2022\, 5.00 pm\nMrs. Urmila Devi will inaugurate the exhibition. The Artist will be present on the occasion.
URL:https://timeandspace.gallery/event/its-a-way-of-life/
LOCATION:Gallery Time and Space\, 2nd Floor\, The Guild\, 55\, Lavelle Road\, Bangalore\, karnataka\, 560001\, India
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20220411T103000
DTEND;TZID=Asia/Kolkata:20220430T190000
DTSTAMP:20260404T023503
CREATED:20230124T092220Z
LAST-MODIFIED:20230124T092220Z
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SUMMARY:Faces A Race from Epic Paintings by Shuvaprasanna
DESCRIPTION:Preview:\nMrs. Kiran Mazumdar Shaw will inaugurate the exhibition The Artist will be present on the occasion
URL:https://timeandspace.gallery/event/faces-a-race-from-epic-paintings-by-shuvaprasanna/
LOCATION:Gallery Time and Space\, 2nd Floor\, The Guild\, 55\, Lavelle Road\, Bangalore\, karnataka\, 560001\, India
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